THE DAVE KIKOSKI TRIO
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Dave Kikoski - Piano - Bio (open/close)
At a time when jazz has been to the far reaches of the musical universe and back, some would say that its all been played before and we're currently at a point in the cyclical nature of this art form when those with lesser talents are merely rewriting the past.
Possibly this is why innovation and individualism are so rare these days and why David Kikoski stands apart from the scores of pianists who currently make their home within the mainstream tradition.
Born in 1961, Dave was part of a musical family and given his first piano lessons at the age of six by his father. In his early teens he began working with jazz and rock groups and won "The New Jersey Allstate Jazz Competition ". After high school, Kikoski would head to the prestigious Berklee College of Music in Boston where he earned a bachelor's degree in piano. While at school he had a steady trio gig and met Pat Metheny who sat in with the band. A few years later they would record a CD together with Roy Haynes.
In 1984, the pianist decided to try his hand in New York where it didn't take long for him to establish himself.
Drummer Roy Haynes would be the first to give Kikoski a break, leading to a productive association that lasts to this day.
During his first few years on the New York scene, the pianist took advantage of the Haynes gig to network with other musicians leading to a wealth of recording opportunities and touring with Randy Brecker, Joe Henderson, Ron Carter, Al Foster, Buster Williams and Bob Berg among others.
By 1989, Dave was ready to cut his first record as a leader.
"Presage" featured a high-octane trio with bassist Eddie Gomez and drummer Al Foster. His second outing "Persistant Dreams" was produced by Walter Becker of Steely Dan fame featured a larger ensemble including Randy Brecker and Billy Hart.
During the early 90s, Kikoski not only kept busy playing frequent gigs with Roy Haynes, Randy Brecker and others but was also featured as a regular in the group of saxophonist Bob Berg and produced and arranged his CD "Another Standard" for Chick Corea's Stretch label. He freelanced and led his own groups at home and abroad.
In 1994, a contract with the short-lived Sony Epicure label produced the self-titled Dave Kikoski, a trio set that found the pianist in the company of bassist Essiet Essiet and drummer Al Foster. Over the next few years, Kikoski would perform and record as a sideman with an enviable cast of jazz luminaries including John Scofield, Brian Lynch, Peter Erskine, Red Rodney, Ravi Coltrane, Chris Potter, Christian McBride, Joe Henderson, Joey Baron, Dave Holland, Mike Stern, Chick Corea, Toots Thielemans, Pat Metheny, Victor Lewis, Tom Harrell, Gary Thomas, Marcus Miller, the Mingus Big Band and Michael Brecker.
Since 1997, Kikoski has had a chance to further document his artistic growth in a series of releases for the Dutch Criss Cross label. " Inner Trust" from 1997, spotlighted the work of fellow Roy Haynes bandmate bassist Ed Howard (also on "Persistant Dreams") and drummer Leon Parker. "The Maze" reunited Dave with drummer Jeff "Tain" Watts as well as " Mingus Big Band " partner saxophonist Shamus Blake and Scott Colley on Bass.
His next release "Almost Twilight" offered the musical benefits that come with a working band, as Kikoski joined forces with bassist John Patitucci and drummer Jeff "Tain" Watts for a week at "Sweet Basils" before cutting the CD.
In 2001 Roy Haynes invited Dave to join his new all-star lineup including Dave Hollland, Roy Hardgrove and Kenny Garrett to record and tour.
The CD received a Grammy nomination. They are still performing and the live shows often feature Nicholas Payton and Christian McBride as well..
Another project of Dave's with percussionist Brian Melvin entitled "BeatleJazz" topping the Gavin radio charts with both volumes. Among tours to Japan and Russia with his own trios, during the summer of 2001, Dave spent time touring with the Brecker Brothers' Acoustic Band.
The fall of 2001 Kikoski celebrated the release of his fourth set as a leader for Criss Cross. "Surf's Up " gives him space to romp through a diverse set of tunes covering everything from Brazilian sambas to pop classics by Frank Zappa and Brian Wilson.
In 2002 Dave toured Japan and recorded two CDs for the DIW label and another for Criss Cross entitled "Combinations". The summer festivals of 2003 were spent with the "Randy Brecker, Bill Evans Soul Bop Band with special guest Ronny Cuber".
In August Kikoski played the Mt.Fuji Jazz Festival with the "Brecker Brothers Band".
He continues to perform with a variety of different bands as well as his own projects.
The latest "BeatleJazz" (2004) "With a little help from our friends" includes guests Michael Brecker, Randy Brecker and John Scofield with electric keyboards and tablas. David's 2004 release " Details" features Bill Stewart on drums and Larry Grenadier on bass.
David Kikoski continues to foster his individualistic voice while exploring a wide variety of opportunities both as a leader and sideman. He especially wants to emphasize his compositions, further develop opportunities to perform with his own groups, and write for films. An affecting modernist, Kikoski distills the best in jazz and popular music and infuses every song with attention-getting brilliance.
Weblinks:
www.davidkikoski.com
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Hans Glawischnig - Bass - Bio (open/close)
Glawischnig was born in Graz, Austria on October 22,1970. His father, a respected pianist, big band leader and educator, instilled in Hans an early interest in music, enrolling him in 1976 as a violinist in the talented pupils class of the Academy of Music in Graz.
In 1983, Hans began playing the electric bass and by 1986 added the double bass which was to become his main musical voice. From 1986 to 1988 he studied part-time at the Jazz Department of the Academy with renowned American bassist Wayne Darling.
After high school Hans relocated to the United States to accept a scholarship at Berklee School of Music. During his years in Boston he honed the skills he is known for: mastery of varied musical genres, strong musicianship and an inquisitive musical nature. He studied with bassist <b>Bruce Gertz</b>,
played and recorded with faculty members <b>Hal Crook</b>, <b>Phil Wilson</b>
and Greg Hopkin and accompanied several visiting clinicians, including drummers Steve Smith and Casey Scheuerell. He also was presented with several Professional Music Awards and in 1992 he received his B.A. magna cum laude.
That same year Hans made his move to New York to join the M.A. program at Manhattan School of Music on scholarship. At MSM he met many of the musicians he now regularly works with while studying electric bass with Jeff Andrews. Throughout his studies he gave lessons privately and tutored students for their harmony and ear training exams as a means of additional income. Word got out of his talents long before his graduation in 1994, and he was already turning down gigs in order to complete his studies.
Hans' first break came in 1995 when he was hired to fill the bass chair in Bobby Watson's Urban Renewal band on the recommendation of fellow student Steffon Harris, playing alongside New York veterans Victor Lewis, Mark Soskin, Rachel Z,Sammy Figueroa and Steve Kroons. A stint with Maynard Ferguson's Big Bop Nouveau</b> was to follow later that year. 1996 was to be a pivotal year for Hans.
>While he kept busy performing as a freelancer around the New York area, he was invited to play with <b>Ray Barretto</b>'s renowned <b>New World Spirit
ensemble. Though he had played Latin music throughout his days in New York, his exposure to this legendary artist helped Hans refine his interpretation of rhythm, improvisation and musical interaction. The group toured extensively and recorded two albums, Contact! for Blue Note records and Live in Europe (presently unavailable in the United States). Further engagements with Paquito D'Riviera Dave Samuels and Bobby Sanabria followed swiftly, as did performances with Rick Margitza, Garry Dial, and many others.
Another great opportunity presented itself when Hans was invited to join<b> David Sanchez' Melaza Sextet</b> in 1998. The group toured the globe and recorded two albums for Columbia Melaza and Travesia - which pushed the envelope of Latin Jazz to its limits and brought the group great critical acclaim as well as two Grammy Award nominations.
In 2001, Hans recorded a number of his own compositions, which were released as Common Groundon the Spanish label FreshSounds/New Talent in the summer of 2003. Several of his originals and arrangements were recorded by David Sanchez and Ken Hatfield. (The Traveler for Music for Guitar and Bass on Arthur Circle records). For a reunion with Ray Barretto on Tribute to Art Blakey (on Sunnyside Records) Hans contributed an arrangment of Buh's Bossa, and a recent session for <b>Brian Lynch</b> features the original composition Beholding.
Recent projects included recording sessions with James Moody for
an upcoming album on Savoy records and extensive touring with Claudia
Acuna, Mark Murphy and David Sanchez
Weblinks:
www.hansglawischnig.com
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Obed Calvaire - Drums - Bio (open/close)
Obed Calvaire (Drums), a native of Miami, is a graduate of the New World School of the Arts, a public high school in Miami-Dade County designed for artistically talented students. Mr. Calvaire was a candidate for a master of music degree in jazz drum set at Manhattan School of Music and has recently graduated in May 2005. He received his bachelor's degree from Manhattan School of Music in 2003, completing the undergraduate degree requirements in three years. He is in the studio of John Riley.
Mr. Calvaire has performed with major jazz artists such as Wynton Marsalis, Danilo Perez, Bobby Watson, Mark Murphy, Stefon Harris, Josh Roseman, Eric Reed, Buster Williams and the Clayton Brothers Quintet. He has also performed with large ensembles such as the Village Vanguard Orchestra, the Mingus Big Band and the Bob Mintzer Big Band. From 2002-04, Mr. Calvaire was a member of the Steve Turre Sextet. Performing with Lizz Wright, he has participated in major jazz festivals such as the North Sea Jazz Festival at The Hague, the Vitoria Jazz Festival in Spain and the Festival International de Jazz de Montréal.
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