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Hailing from the remote location of Perth, West Australia, saxophonist and composer Troy Roberts has received numerous awards including 3 consecutive DownBeat Jazz Soloist Awardsand2 consecutive West Australian Music Industry Awards, a Grammy Nomination medal (for Sammy Figueroa’s “The Magician”), and was the only Australian semi-finalist in the 2008Thelonious Monk International Jazz Saxophone Competition.Graduating with a Bachelor of Music at the young age of 19, he has performed around Europe and the US extensively with artists such as James Morrison, Aretha Franklin, Jeff ‘Tain’ Watts, Sammy Figueroa, Dave Douglas, Orrin Evans and Kurt Elling to name a few, and also completed a Masters Degree at The University of Miami. In 2012, he shared the stage in an international septet comprised of jazz greats Wayne Shorter, Richard Bona, Vinnie Colaiuta and Zakir Hussein for Herbie Hancock’s launch of the first ever International Jazz Day at The UN General Assembly Hall.

More recently he was also part of Hancock’s 2014 International Jazz Day held at Osaka Castle Park, Japan, sharing the stage with jazz luminaries such as Gregory Porter, Marcus Miller, Roy Hargrove, Esperanza Spaulding, Sheila E, John Scofield and Dee Dee Bridgewater. Troy is based in New York City, continues to maintain a busy performance and recording schedule around the globe, and is currently celebrating his 6th record as a leader, Secret Rhymes  (Inner Circle Music).


“Roberts is a boisterous and effusive player, conversant but not busy. ‘Secret Rhymes’ has a bounce to it and Roberts excels here as a leader, with an awesomely arranged album with just a touch more arch than one can legally call straight-ahead.”


- DownBeat Magazine

(click here to read full review) 




Roberts’ sixth release as a leader, "Secret Rhymes" is confirmation that redefinition of familiarity is entirely possible, and this will long be considered a new standard for years to come. This project embodies the spirit of contemporary improvised music in its purest and most urgent state, while maintaining the characteristics of nurturing and delicacy that give it balance and scope.


- Greg Osby




“While jazz is so strongly identified as swing, it is nice to see the next gen carving out their sound and ideas. Roberts, along with his well-equipped ensemble, is certainly up to the task - creating a jazz record that employs great playing and abundant ideas. Roberts, though young in age, certainly has an arsenal of abilities under his belt, and has the makings and foundation of a lasting great saxophonist. Versatile in style, with a strong grasp of yesterday and today, he is a force to be reckoned with no matter the setting. He is more than one to watch, he is one to follow closely.”


- JazzTimes Magazine




“Whilst it’s not common to display virtuosity, it’s even rarer to be wonderfully creative while doing so. But the rarest of all gifts is to have a unique voice; a sound that is unmistakably your own, Troy Roberts has this gift. He amply demonstrates that it’s possible to pay homage to the great tenor players of jazz and still create a fresh approach that leaves the listener always in anticipation of what he’ll come up with next.”


- James Morrison





“…Substance and style will triumph over pretentiousness and ego every time. Roberts has a resume that will certainly make one sit up and take notice having shared the stage with such luminaries as Nicholas Payton, Orrin Evans and John Clayton. Nu-Jive5 is Roberts fifth release as a leader and is brimming with vitality and that certain pop of originality that separates the "artist" from the "musician…"


- Critical Jazz