Terry Goss (Tenor Sax) // Tim Armacost (Tenor Sax) // John Bailey (Trumpet) // Marshall Gilkes (Trombone) // Meg Okura (Violin) // Rodolfo Zanetti (Bandoneon) // Emilio Solla (Piano) // Jorge Roeder (Bass) // Dave Silliman (Drums)Go to event
"Yes! The great trumpeter John Bailey has made an excellent solo record featuring a bunch of quite memorable original compositions and arrangements with a smoking band. The fare is straight-ahead with a Brazilian flair and everyone is at the absolute top of their game....well worth the wait"! - Randy Brecker
"John Bailey is simply the greatest trumpet soloist I’ve ever had in my band. His mastery in playing over any harmonic landscape is matched by his incredible swing." - Ed Palermo
“John Bailey is a great improviser.
Since we met as teenagers I've been taken with how natural a musician he is and how deeply his roots go into the tradition of jazz music. He's a joy to listen to!” - Donny McCaslin
The opening trumpet fanfare of John Bailey's album In Real Time heralds the arrival of a major, fully formed talent. Yet Bailey is no newcomer to jazz: this is his first album as a leader after 35 years as one of the busiest sidemen in the business.
Why at age 51 is he now making his debut as a leader? His answer is simple yet profound: “It was just time.”
Known as one of the most eclectic trumpet players in New York City, Bailey is an in-demand musician and teaching artist on call for everything from traditional jazz, to R&B and Pop, to classical. He became a member of TheBuddy Rich Band while still in college, and his career has included long-running gigs with Ray Charles, master conguero and bandleader Ray Barretto, Max Weinberg and Frank Sinatra, Jr. His work withLatin Jazz innovator Arturo O'Farrill won twoGrammy awards for the albums The Offense of the Drum and Cuba - The Conversation Continues. He has played on more than 70 albums and, as a jazz educator, has taught at the University of Miami and Florida International University.
For his debut album however, Bailey dug deep and came up with a variety of riches as a composer.
“My natural inclination has always been to draw from as many different sources as possible,” he explains. As a child of the 1960s, he learned from Dizzy, Miles and Bird, and was mentored by the legendary multi-instrumentalist Ira Sullivan. He was also influenced by artists as diverse as Jethro Tull, The Beach Boys, classical trumpeter Maurice Andre, and the Chicago Symphony brass section. “Duke Ellington said it best,” says Bailey. “There are only two kinds of music: good music and the other kind.”
Bailey acknowledges deliberately ignoring the boundaries between genres. “As a composer and improviser, I make no lines in the sand, though I try to keep the music coherent.” For In Real Time, Bailey enlisted a group of fellow seekers and jazz veterans including saxophonist Stacey Dillard, guitarist John Hart, bassist Cameron Brown, and drummer Victor Lewis. Through seven