Are you a musician who has performed at Smalls or Mezzrow in the past and doesn’t have an artist account then please contact us directly at musician@smallslive.com.
The SmallsLIVE Foundation for Jazz Art & Education is a not-for-profit arts organization.
Our mission is to subsidize the operation of our venues, recording projects, tours and educational initiatives.
During this Covid-19 pandemic our mission is to keep the clubs floating until business can be restored.
We will also sponsor live-streamed concerts from the club that will keep the musicians working during this period.
We will also be offering emergency aid for Jazz musicians in need due to this calamity.
Archive
The SmallsLIVE Archive is an audio/video library of all the shows at Smalls & Mezzrow.
Royalties are paid directly to the musicians by The SmallsLIVE Foundation.
Members sponsor their favorite musicians by listening to their music.
Live Stream
Smalls Jazz Club has been a pioneer in live streaming and began streaming shows live from the venue in 2007.
There is no cost to watch our live streams. During normal operating times the entire evening is streamed.
During this Covid-19 pandemic period there will be special live concerts scheduled in advance.
SmallsLIVE Catalog
The SmallsLIVE Catalog is a collection of individually produced artist projects.
SmallsLIVE Members may sponsor artists of their choice and receive their music as downloads or CDs.
Sponsorships directly support the artist.
Ed Fuqua
Bass
Recently Added
06/12/2008
Smalls
The Eliot Zigmund Quartet
Upcoming Shows
My first exposure to music was as a first grader, my mom got me some accordion lessons. That didn't last long, I managed to avoid music until high school, where I got my first exposure to playing jazz tunes and improvising over form, as well as learning to read music. I did the usual high school/ college thing of playing electric bass in rock to fusion bands while taking classical theory and harmony at the local college . Until I met a guitar player who uttered the fateful words Didja ever hear any Clifford Brown? which got me at least listening to more straight ahead music (and some acoustic free-bag), if not actually playing more straight ahead. I did a boat gig in the Mediterranean for about a year with that guitar player and began playing more jazz tunes. The boat gig put me in a good enough financial situation to buy an upright and attend Berklee College of Music in Boston. I ended up cutting most of my legit classes to play, though. I was fortunate enough to play in the ensembles of people like Ken Pullig and George Garzone and do sessions with Klaus Suonsaari, Ian Froman, Dave Kikoski, Tim Williams, Donald Harrison and others. I returned to Augusta GA in 1983 and was able to work with not only local players like Tyrone Jefferson (ex-Slide Hampton), Terry Rosen (ex -Woody Herman) but also Clifford Jordan, Junior Mance, and Bill Barron, who came through town. At this time I was also chosen to attend master classes given at the Atlantic Center for the Arts (in New Smyrna Beach FL), one with Elvin Jones and one with Charlie Haden. I moved to NYC in 1987 and the exposure to the scene and the musicians here has been great. I was fortunate to be able to work with Leon Parker when I first moved up here, some trios at AUGIE'S and a quintet doing original music. He taught me a lot about interactivity and assertiveness in a rhythm section. My stint with (singer) Dakota Staton really made me concentrate on the pocket and defining the (harmonic) direction of a piece. Working with such wonderful players (some on a regular basis) has been inspiring. I especially credit my teacher, Joe Solomon (ex-Lennie Tristano), with helping me make tremendous strides over the last few years.Weblinks:www.myspace.com/edfuquabassist