Dave Finck

Bass
Recently Added
11/24/2021
Mezzrow
John DiMartino, Sara Caswell & David Finck
09/13/2019
Smalls
John Fedchock NY Sextet
02/13/2019
Mezzrow
Jim Ridl, Dave Finck & Cliff Almond
11/24/2018
Smalls
John Fedchock Quartet
11/23/2018
Smalls
John Fedchock Quartet
08/22/2018
Mezzrow
Ed Laub, Roni Ben-Hur & Dave Finck
01/15/2018
Mezzrow
Hendrik Meurkens with Bill Cunliffe & Dave Finck
11/18/2017
Smalls
John Fedchock NY Sextet
11/17/2017
Smalls
John Fedchock NY Sextet
05/23/2017
Mezzrow
Libby York w/ John DiMartino, Dave Finck
07/29/2016
Smalls
John Fedchock NY Sextet
10/16/2015
Smalls
The John Fedchock Quartet
06/25/2011
Smalls
The John Fedchock NY Sextet
06/24/2011
Smalls
The John Fedchock NY Sextet
04/17/2010
Smalls
The John Fedchock NY Sextet
04/16/2010
Smalls
The John Fedchock NY Sextet
07/24/2008
Smalls
The John Fedchock Quartet
Upcoming Shows
Music can only be described with words, but for David Finck, music is a language all its own. I hear music as a spoken language, he says. When I listen, Im conscious of the breaths that are taken during a phrase; I hear the vocabulary, the inflection, and the syntax. I listen for all of it.Its a statement that makes sense given Davids skills as a bassist and the diverse artists he has played and recorded with  among them; Dizzy Gillespie, Aretha Franklin, Sinead OConnor, Natalie Cole, Rod Stewart, Herbie Hancock, Ivan Lins, Al Jarreau, Tony Bennett, Paquito DRivera, George Michael, Rosemary Clooney and Andre Previn, to name just a few. Over the years, David has become one of the most sought-after musicians in Manhattan, equally revered for his work in jazz, popular, Brazilian and classical music. Hes bridged musical diversity through his skills -- but even more so through his ability to hear music as language in an almost literal sense. Commented the award winning composer and songwriter Alan Bergman, When a bass has the sound of authority, when it is a testament to time, when it has a certain wisdom in its tone, if you follow the fingers to the arms and then to the rest of the body, you'll see this all belongs to David Finck. He makes the bass sing and swing. As a sometime singer, to have David behind me is a source of security and pleasure. He is an accompanist who supports everything in a solid, original way. He is a great musician and a fine fellow.Becoming a musician was genetically pre-ordained for David  both of his parents are involved in music, and he began playing bass at the age of 10. While still in high school, David studied with several of the Philadelphia Orchestras double bassists before he began college at the prestigious Eastman School of Music in Rochester, New York. After graduation, he settled in New York City -- hed barely unpacked when he left the city to tour with Woody Herman and his Thundering Herd. Over the years, David has played with those above-mentioned and many more; his discography lists more than 100 recordings including Platinum and Gold selling records with Rod Stewart, Natalie Cole, and Elton John. From the legendary Grammy Award winning music producer Phil Ramone, A fine and unique musician, he can drive a Rhythm section or create a sensitive solo. He has done a lot of sessions from Previn, Cincotti and pop music. The most important point is his humor and his love of his work.His response to the question of whom he has most enjoyed working with: I have been educated by everyone Ive had the opportunity to work with, each for different reasons. Rosemary Clooney was an amazing storyteller through songs; Paquito DRivera gave me an opportunity to acquire language in Cuban, Brazilian, Mexican, Venezuelan and Dominican music; Linda Eder is a phenomenal vocalist and Andre Previn is an incredibly skilled musician. Commented Maestro Previn: "I have worked with David Finck in many different circumstances and venues, for a period of eight years, and in my opinion, there is no one who is as good a jazz bass player and collaborator." David singles out Dizzy Gillespie not only for his skill but also for a seemingly simple remark he says hell always remember. He gave me the supreme compliment. I walked off the stage after a show in Nice, and he said Hey, man, I really like the way you play. With anyone else youd say thanks, but coming from Dizzy I was completely overwhelmed.Not long ago, David increased his personal vocabulary, transitioning from his role as a bassist and becoming a producer, arranger and songwriter. I had a great appreciation for great musicians, but I hadnt done much analysis or given much thought to producing and arranging. I started to think about it, particularly with the singers that I really liked  like Frank Sinatra -- and I wanted to figure out why I liked them and what distinguishes one singer from another. I came to realize that it isnt really magic. Its language, and its learned, and its passed down and communicated from one person to another. Since then, Finck has articulated his expertise on the subject through writing liner notes and lecturing  the Village Voice invited him to write about Frank Sinatra as a jazz musician in a special issue celebrating Sinatras 80th birthday and he spoke at Hofstra University on the same subject. Sinatra developed a unique language through listening and watching; he acquired his language as a singer as the result of combining ideas that had been given to him. He took the rhythms that he heard in big bands and applied them to his phrasing. His greatest skill was his ability to combine musical language with poetic language. He could maintain the balance between the two and never sacrifice the importance of one for the other. His voice may have been a natural gift and his talent was in his genetic code  but the other factors that made Frank Sinatra Frank Sinatra can be analyzed. Two of the artists for whom Davids applied his unique perspective are Christy Baron and Peter Cincotti. Peter Cincotti is incredibly talented, and because hes so young, his ears are wide open, David comments. He was interested in learning and developing. Id suggest that he listen to a record, digest its contents and play with the language and hed respond in a visceral way.Of his experience working with David, Peter Cincotti says, I have known David since I was fourteen or fifteen, and he has been a real musical mentor to me. When I make music with David, he expands my vocabulary and brings something new to the conversation every time.Christy Baron recorded for Chesky Records, an audiophile label, which focuses equally on the music and the technique in which the music is recorded, in this case recording live without overdubs or any studio manipulation. Christy is an expressive singer, and this style of recording is challenging. Technique is paramount in such an exacting environment; and as producer and arranger I realized we really needed to focus, even though Christy is one of the few singers who could actually rise to the occasion. It was still a rigorous and demanding process. observes Finck. Said Baron: One of the most impressive things about working with David is that he knows the lyrics of a composition. You hear it... not only in his incredibly sensitive and confident accompaniment, but as an arranger and producer, hes able to apply the intention of the lyricist within the structure of his arrangements, while keeping his musical ideas fresh and unique.Currently living in New York, Davids horizon is limitless. Hes long been recognized as one of New Yorks most gifted musicians  and now, with the release of Christy Barons Take This Journey and national recognition as a producer, songwriter and arranger, its clear that his gifts are not limited to four strings.